Curriculum Vitae

Graciela Sacco,visual artist, photographer, video and installation artist.
Sacco`s work uses different photosensitives processes, allowing her to materialize concepts in unique way that places her at the forefront of contemporary art.
She was invited for the Atlantic center for the Arts as a Master Artists-in-Residence program in September of 2005, Florida. U.S.A ..She was invited to do a residence in Delfina Studio, London ,during the summer of 2002 and in la Cite des Artes, Paris during the winter of 2003.
Sacco has represented Argentina at severals Biennales including Venice 2001, Havana 2000/97, Mercosur 1997 and Sao Pablo 1996. She has been invited to the 2004 Shanghai Biennale, exhibited her work at the New World Museum in Houston (2004) and exhibited in Art Basel Miami (2004). Her work has been included in major exhibitions in museums and galleries around the world including: Chile, Denmark, Argentina, Guatemala, México, Brasil, Spain,England and France. For many years Sacco has been a Professor of 20th Century Latin American Art at the University of Rosario in Argentina.

Academic background

1987
Degree in Fine Arts, University of Rosario.

1987/97
Lecturer in the 20th Century Latin American Art course, School of Fine Arts, University of Rosario.
Lecturer in the Experimental Art Workshop course at the School of Fine Arts, University of Rosario.

Selected individual exhibitions

2009
Santiago de Compostela, Spain; From the series M2: How much is a square metre of waiting, Galería C5/La Factoría.

Bogotá, Colombia; From the series M2: Promised land, luminic objects, Gilberto Alzate Avendaño Foundation.

Córdoba, Argentina; How much is a square metre of thought?, object-installation, Centro Cultural España-Córdoba.

2008
Rosario, Argentina; From the series M2: T4, video-installation, Centro de Expresiones Contemporáneas and Municipal Museum of Fine Arts J. B. Castagnino.

Miami, U.S.; M2’s Stories (square metre). Minimal vital space, photographic installation, video and shadows, Diana Lowenstein Fine Arts Gallery.

2007
Rome, Italy; M2 –minimal vital space-, photographic installation, video and shadows, Fundazione Volume Italia.

2006
Houston, U.S.; Shadows from the South and the North, installation in the permanent collection at the Museum of Fine Art, Houston (MFAH)

Dallas, U.S.; Conversations, photography and installations, Panamerican Gallery.

Santiago de Compostela, Spain; From the series Shadows from the South and the North, installations, photography and objects, Galicia’s Auditorium.

2005
Miami, U.S.; Shadows from the South and the North, video-installations, photography and objects, Diana Lowenstein Fine Arts Gallery.

New York, U.S.; Shadows from the South and the North, video-installations, photography and objects, Dominique Haim Chanin Gallery.

Los Angeles, U.S.; Shadows from the South and the North, video-installations, photography and objects, Stephen Cohen Gallery.

2004
New York, U.S.; Outside, objects and photography, First New York Internacional Photography Exhibition, Stephen Cohen Gallery.

Houston, U.S.; Shadows from the South and the North, installations, videos and photography, New World Museum.

Los Ángeles, U.S.; Outside, objects and photographies, Stephen Cohen Gallery.

Buenos Aires, Argentina; Shadows from the South and the North: essay on waiting, installation, Museum of Modern Art of Buenos Aires.

Miami, U.S.; Art Miami Project Room, presented by Berkeley Square Gallery, London and World House Gallery, New York.

Buenos Aires, Argentina; Shadows from the South and the North: outside, installation, International Light’s Festival, Centro Cultural Recoleta.

Cartagena, Spain; Among us, Muralla Bizantina and urban interference in the city.

2003
Paris, France; Shadows from the South and the North: Seeing, video-interference on la Maison de L’Amerique Latine’s facade and installations.

2002
New York, U.S.; Transitions, installations, objects, World House Gallery.

Toulouse, France; Bocanada, urban installation, Festival Garonne.

Vivorg, Denmark; New Internationalism, luminic facade in the exterior of the building Kunsthallen Braenderigarden, Gaard Cultural Center for Contemporary Art.

London, England; Graciela Sacco: Among us, installation and objects, Scolar Fine Arts Gallery and Berkeley Square Gallery.

Miami, U.S.; Art Miami Proyect Room, presented by Berkeley Square Gallery, London and World House Gallery, New York.

2001
Fort Lauderdale, U.S.; Bocanada, installation, Museum of Art (MoAFL).

Washington, U.S.; Public order, photographies, installations and objects, Art Museum of the Americas-OAS.

2000
Buenos Aires, Argentina; Outside, installations, Diana Lowenstein Fine Arts Gallery.

Rosario, Argentina; Outside, installations, Municipal Museum of Fine Arts J. B. Castagnino.

Boston, U.S.; Outside, photography, video, installation, objects, Massachusetts College of Art, MASSART.

New York, U.S.; Outside, photography, video, installation, objects, Argentine Consulate of New York and World House Gallery.

1999
Rosario, Argentina; Shadows from the South and the North: I, permanent installation, Faculty of Arts and Humanities at the National University of Rosario.

Quito, Ecuador; A place under the sun: III, photography and installations, Alliance Française’s Cultural Centre.

1998
Guatemala City, Guatemala; A place under the sun: II, installation, National Museum of Modern Art.

New York, U.S.; A place under the sun: I, installation, World House Gallery.

1997
Aarhus, Denmark; Graciela Sacco: Installations and urban interferences, European Festival dedicated to Latin America, Kvndetmusset.

Rosario, Argentina; The Fire and the Eves, Bocanada, and Awaiting the Barbarians, installations. Presentation of the Argentine participant in the 23th São Paulo International Art Biennial, Centro Cultural Parque de España.

Buenos Aires, Argentina; The Fire and the Eves, Bocanada, and Awaiting the Barbarians, installations. Presentation of the Argentine participant in the 23th São Paulo International Art Biennial, Banco Patricios Foundation.

Bahía Blanca, Argentina; The Fire and the Eves, Bocanada, and Awaiting the Barbarians, installations. Presentation of the Argentine participant in the 23th São Paulo International Art Biennial, Contemporary Art Museum.

Córdoba, Argentina; The Fire and the Eves, Bocanada, and Awaiting the barbarians, installations. Presentation of the Argentine participant in the 23th São Paulo International Art Biennial, Casona Municipal.

Porto Alegre, Brazil; Stone shooter, urban interference, Capitolio, Policultural.

1995
Buenos Aires, Argentina; Bocanada, heliography, Ruth Benzacar Gallery. Presentation of the book Escrituras Solares. La heliografía en el campo artístico.

Rosario, Argentina, Bocanada, heliography, Bernadino Rivadavia Cultural Centre.

1994
Rosario, Argentina; Bocanada, postal action, Municipal Museum of Fine Arts J. B. Castagnino.

Rosario, Argentina; Bocanada, heliography, Municipal Museum of Fine Arts Juan B. Castagnino. Presentation of the book Escrituras Solares. La heliografía en el campo artístico.

1993
Buenos Aires, Argentina, Windows - Six and One Regrets for Heaven, installation, Casal de Catalunya.

Urban interferences

2009
Austin, U. S.; Square meter, projection, Public Library at the University of Texas at Austin.

2008
Rosario, Argentina; From the series M2:T4, video-interference, Castagnino+macro Museum.

Rome, Italy; From the serie M2:M², video-interference, Fundazione Volume.

2003
Paris, France; Shadows from the South and the North, video-interference on the facade of the Maison de L’Amerique Latine.

2002
Toulouse, France; Bocanada, urban installation, Festival Garonne.

2001
Venice, Italy; Between us, urban interference. 10.000 pairs of eyes printed by photo-serigraphy spread around the city of Venice during the 49th Venice Biennial. Represented Argentina.

Buenos Aires, Argentina; Between us, urban interference at the Plaza de Mayo. 10.000 pairs of eyes installed at the square, between Casa Rosada and the May Pyramid, December.

2000
Jerusalem, Israel; Nomads: Frontiers, urban interferences in public spaces. 1.000 eyes printed by photo-serigraphy on transparent PVC, installed in the streets.

Petra, Jordane; Nomads: Frontiers, urban interferences in public spaces. 1.000 eyes printed by photo-serigraphy on transparent PVC, installed in the streets.

Cairo, Egypt; Nomads: Frontiers, urban interferences in public spaces. 1.000 eyes printed by photo-serigraphy on transparent PVC, installed in the streets.

Vigo, Spain; Shadows from the South and the North: Our Sea, urban interference, 9th International Biennial of Photography of Vigo.

Havana, Cuba; Shadows from the South and the North: Our Sea, graphic interference, 7th International Art Biennial of La Habana.

1997
Havana, Cuba; The perpetual combat, urban interference. Posters 200 x 100cm each, installed in different areas of the city, 6th International Art Biennial of La Havana.

Aarhus, Denmark; Bocanada, urban interference. 5.000 posters, 50 x 70cm each, interfering with the urban graphic.

1996
San Paulo, Brazil; The fire and the Eves, urban interference in the streets, heliography on paper, 550 x 220cm, 23rd participant in the 23th São Paulo International Art Biennial. The only artist to represent Argentina.

Rosario, Argentina; The fire and the Eves, urban interference in the streets, heliography on paper, 550 x 220cm, 23th São Paulo International Art Biennial.

1995
Rosario, Argentina; Bocanada, video-intervention, Bernardino Rivadavia Cultural Centre.

1994
Rosario, Argentina; Urban interference II, on public schools (spaces in danger of extinction).

Rosario, Argentina; Bocanada, urban interference. 5.000 posters 50x 70cm each, installed on political campaign posters on the streets.

Buenos Aires, Argentina; Bocanada, urban interference. 5.000 posters 50x 70cm each, installed on political campaign posters on the streets.

Rosario, Argentina; Bocanada. Urban interference I.

Buenos Aires, Argentina; Bocanada. Urban interference I.

Selected group exhibitions

2009
Rosario, Argentina; The Fire and the Eves, installation, Te saco el Pombo y te pongo el Sacco, J. B. Castagnino Municipal Museum of Fine Arts.

Rosario, Argentina; T4, video-installation and photographic shadows, Madrid Mirada, Parque de España Cultural Centre.

Mexico D.F., Mexico; T4, video-installation and photographic shadows, Madrid Mirada, Chopo University Museum.

2008
Nyon, Switzerland; The Wishes’ Place, video-installation and urban interference, L`Homme e Lumière, Museum of Contemporany Art.

Rosario, Argentina; The ubiquitous gaze. Photography by Rosarineas, Installations, Imago-OSDE.

San José, Costa Rica; T4, video-installation and photographic shadows, Madrid Mirada, Museum of Contemporary Art and Design.

Panamá; T4, video-installation and photografic shadows, Madrid Mirada, Contemporary Art Museum of Panama.

Madrid, España; T4, video-installation and photographic shadows, Madrid Mirada, Círculo de Bellas Artes.

2007
Nyon, Switzerland; Essay on waiting, video-installation and photographic shadows, Les reves de Chateaux, La Chateux de Nyon.

2006
San José, Costa Rica; Shadows from the South and the North, installation, Doubtful Straits, Museum of Contemporary Art and Design.

2005
Buenos Aires, Argentina; Between silence and violence. Argentinian Contemporary Art, installations and objects, the Telefónica Foundation.

Badajoz, Spain; Art and Commitment in Argentina, installations, Extremenian and Ibero-American Museum of Contemporary Art.

Burgos, Spain; Art and Commitment in Argentina, installations, Caja de Burgos Centre of Contemporary Art.

2004
New York, U.S.; Between silence and violence. Argentinian Art, installations and objects, Sotheby's.

2003
Glasgow, Scotland; Sanctuary, installations, Museum of Modern Art.

Buenos Aires, Argentina; The Golem, installations, National Museum of Fine Arts.

2002
Redmond, U.S.; Shadow Play, installations, Microsoft Art Collection, Microsoft Corporation.

Johnstown, U.S.; Contemporary Latin Art: New Directions, installations, Perella Gallery at Fulton Montgomery College.

Prague, Czech Republic; The Golem, installations, Rodolfinum Cultural Centre.

Fort Lauderdale, U.S.; Argentina Art 2002, objects and installations, 6th Gallery, Broward County Library.

2001
New York, U.S.; Citizenships of Fear, heliographies on paper, Recent Acquisitions, Bronx Museum of the Arts.

2000
Rosario, Argentina; Body to Body, heliography on wood, Contemporary Art Collection of Rosario, Municipal Museum of Fine Arts J. B. Castagnino.

Rosario, Argentina; Hand’s metamorphosis, photographic shadows, Parque de España Cultural Centre.

Buenos Aires, Argentina; Metamorphosis of the Hand, photographic shadows, Recoleta Cultural Centre.

Redmond, U.S.; From the series Body to Body, installation, Recent Acquisitions, Microsoft Art Collection, Microsoft Corporation.

1999
Rosario, Argentina; The Fire and the Eves, installation, 34 ARC. Contemporary Rosarian Artists, Municipal Museum of Fine Arts J. B. Castagnino.

San Juan, Puerto Rico; A place under the sun, installation, Art from the New Medium, Museum of Contemporary Art.

Washington, U.S.; Mastering the Millennium, installation, Art Museum of the Americas-OAS.

Buenos Aires, Argentina; Mastering the Millennium, installation, Municipal Argentinian Art Museum Eduardo Sívori and Recoleta Cultural Centre.

1998
Paris, France; Art in the World. One hundred Artists from the World in Contemporary Art, installation, exhibition organized by Beaux Arts magazine, Passage de Retz.

1997
Rosario, Argentina; Graphics, a contemporary bet, heliography on paper, Bernardino Rivadavia Cultural Centre.

Rosario, Argentina; Dressed in Blue, urban action – kite release, Parque de España Cultural Centre.

1996
Mexico DF, Mexico; The things they took with them, installations, Argentina-Mexico: in transit, Chopo Museum.

Buenos Aires, Argentina; The things they took with them, installations, Argentina-Mexico: in transit, Banco Patricios Foundation.

Buenos Aires, Argentina; Bocanada, installation, The limits of photography, Banco Patricios Foundation.

Santiago, Chile; Bocanada, installation, The limits of photography, National Museum of Fine Arts.

Madrid, Spain; From the series Bocanada, installation, Live Red, Casa de América.

1995
Santiago, Chile; From the series Bocanada, installation, The limits of photography, National Museum of Fine Arts.

Buenos Aires, Argentina; From the series Bocanada, installation, The limits of photography, Banco Patricios Foundation.

Rosario, Argentina; From the series Bocanada, installation, 11 x 11. Eleven artists from Rosario, eleven artists from Buenos Aires, Municipal Museum of Fine Arts J. B. Castagnino.

Buenos Aires, Argentina; From the series Bocanada, installation, 11 x 11. Eleven artists from Rosario, eleven artists from Buenos Aires, National Museum of Fine Arts.

1994
Buenos Aires, Argentina; The Emigrant, installation, Municipal Museum of Argentinian Art Eduardo Sívori.

Rosario, Argentina; Bocanada, object, Municipal Museum of Fine Arts J. B. Castagnino.

Participation in International Biennials

2009
Ushuaia, Argentina; 2nd End of the World International Art Biennial.

2004
Shanghai, China; 5th Shanghai International Art Biennial.

2001
Venice, Italy; 49th Venice International Biennial.

Caracas, Venezuela; 9th International Photography Biennial of Mexico.

2000
Havana, Cuba; 7th Havana International Art Biennial.

Mexico DF, Mexico; 9th International Photography Biennial of Mexico.

Vigo, Spain; 9th Vigo International Photography Biennial.

1997
Porto Alegre, Brazil; 1st International MERCOSUR Visual Art Biennial.

Havana, Cuba; 6th Havana International Art Biennial

1996
San Paulo, Brazil; 23rd São Paulo International Art Biennial.

Participation in International Art Fairs

2009
Miami, U.S.; Scope, Diana Lowenstein Fine Arts Gallery.

Chicago, U.S.; Art Chicago, Diana Lowenstein Fine Arts Gallery.

Miami, U.S.; Arte Americas, Diana Lowenstein Fine Arts Gallery.

New York, U.S.; Pulse, Diana Lowenstein Fine Arts Gallery.

Cologne, Germany; Art Cologne, Diana Lowenstein Fine Arts Gallery.

2008
Madrid, Spain; Estampa 2008, Galería C5.

Miami, U.S.; Arte Americas, Diana Lowenstein Fine Arts Gallery.

2007
Miami, U.S.; Miami Photo, Panamerican Art Proyects.

Miami, U.S.; Arte Americas, Diana Lowenstein Fine Arts Gallery.

Paris, France; Art Paris. International Fair of Contemporary Art, Grand Palais, Dominique Haim Chanin Gallery, New York.

Basilea, Switzerland; Balelatina. International Fair of Contemporary Art, Diana Lowenstein Fine Arts Gallery.

2006
Paris, France; Paris Photo, Dominique Haim Chanin Gallery.

Madrid, Spain; ARCO’s International Fair, Dominique Haim Chanin Gallery.

Madrid, Spain; Estampa 2006, Galería C5.

2006/5
Basilea, Switzerland; Balelatina. International Fair of Contemporary Art, Diana Lowenstein Fine Arts Gallery.

2006/3
Miami, U.S.; Art Basel Miami Beach, Diana Lowenstein Fine Arts Gallery.

Miami, U.S.; Miami Photo, Panamerican Art Projects.

2005
Miami, U.S.; Miami Photo, Stephen Cohen Gallery.

New York, U.S.; New York Photo, Stephen Cohen Gallery.

Colone, Germany; Art Cologne, Diana Lowenstein Fine Arts Gallery.

2004
Miami, U.S.; Art Miami Project Room, presented by Berkeley Square Gallery, London and World House Gallery, New York.

Madrid, Spain; ARCO International Art Fair, Ruth Benzacar’s Gallery.

2003
Miami, U.S.; Art Miami, Berkeley Square Gallery, London.

Chicago, U.S.; Art Chicago, Berkeley Square Gallery, London.

2001
Madrid, Spain; ARCO International Fair, Diana Lowenstein Fine Arts Gallery.

2000
Madrid, Spain; ARCO International Fair, Diana Lowenstein Fine Arts Gallery.

Basilea, Switzerland; Basel 2000. International Fair of Contemporary Art, Diana Lowenstein Fine Arts Gallery.

Chicago, U.S.; Art Chicago 2000. International Fair of Contemporary Art, Diana Lowenstein Fine Arts Gallery, Buenos Aires.

publications

1997
‘Consideraciones sobre la gráfica’, article in the exhibition catalogue at Luis Camnitzer’s workshop, Buenos Aires.

1997/6
‘Grietas’, article in the catalogue for the exhibition México Argentina en tránsito, Buenos Aires-Chopo Museum, Mexico DF, Banco Patricios Foundation.

1996
‘Interferencia’, article in the 23th Sao Paulo International Art Biennial catalogue, Sao Paulo Biennial Foundation.

1994
Escrituras Solares. La heliografía en el campo artístico, Rosario, author’s edition. I.S.B.N. 950-43-5874-8.

1990
Imagen una espera de lo imprevisto, Argumedo - Sacco. Paper presented at the International Seminar at the C.A.O Centre, LAND 5’s Project World Laboratory, National University of Buenos Aires. Published in the C.A.O Centre’s book, Buenos Aires, Argentina.
 
Una alternativa de lo alternativo, article published in the journal MANUSCRITOS, year 2, nº 4, Buenos Aires, Argentina.

1989
De Tucumán Arde al ready-made social, paper presented in the First Conference of Art Theory and History, printed in the book edited by the organizers, Buenos Aires, San Telmo Foundation.

1987
Tucumán Arde. Sacco-Sueldo, research done for the final thesis for the Degree in Visual Arts at the National University of Rosario. Rosario, author’s edition, I.S.B.N. 950- 43- 1498-8.

Selected recent bibliography

2009
Giunta, Andrea; ‘Graciela Sacco. Migraciones, cuerpos, memorias’ and ‘Te saco el Pombo y te pongo el Sacco: el debate de los noventa’ in Poscrisis: Arte Argentino después de 2001, Buenos Aires, Siglo Veintiuno Editores.

2008
Herrera, Adriana; ‘Graciela Sacco: Poética de los tránsitos’ in El Nuevo Herald, Miami, 16 March.

Garbatzky, Irina; ‘Una salida puede ser un encierro’ in La Capital, Rosario, 31 August.

2007
Trincia, Daniela; ‘Graciela Sacco a Fondazione Volume’ in Exibart, magazino de arte contemporaneo, Rome, 24 September.

Puglisi, Rosa Maria; ‘Spazio minimo vitale’ in: http://specchioincerto.wordpress.com/2007/10/08/spazio-minimo-vitale/, Rome, 8 October.

2006
Kutner, Janet; ‘Tales of the cryptic’ in The Dallas Morning News, Dallas, 8 May.

Kartofel, Graciela; ‘Haim Chanin Fine Arts’ in Crónica Art Nexus, vol. 5, nº 60, New York, p. 143.

2005
Herrera, Adriana; ‘Los ojos insomnes de Graciela Sacco’ in El Nuevo Herald, Miami, 6 March.

Hernando, Javier; ‘Argentina y la desolación anímica’ in El cultural, Madrid, 12-18 May.

Giunta, Andrea; ‘Migraciones, cuerpos y memoria’ in TodaVía, nº 11, Buenos Aires, August.

2004
López Anaya, Jorge; ‘Luces y Sombras’ in La Nación, Buenos Aires, 13 June.

Feinsilver, Laura; ‘Sacco: compromiso sin oportunismos’ in Ámbito Financiero, Buenos Aires, 24 June.

Arco, Antonio; ‘Graciela Sacco llena el casco antiguo de Cartagena de ojos’ in La verdad, Murcia, 7 July.

Galindo, María Jesús; ‘Graciela Sacco llena Cartagena de ojos’ in La Opinión, Cartagena, 7 July.

Ortiz, Diego; ‘Miradas del arte argentino’ in El Faro, Cartagena, 7 July.

2003
Russel Taylor, John; ‘Muddling up the message’ in The Times, London, 16 Aprill.

López Anaya, Jorge; ‘Sombras del fin del mundo’ in Lápiz, nº 186, Madrid.

Yehya, Naief; ‘Review of Exhibition in World House Gallery’ in Art Nexus, nº 48, Miami.

2002
Feitlowitz, Marguerite; ‘Interview with Graciela Sacco’ in BOMB, New York, March, pp. 22-28.

‘Graciela Sacco’ in Review: Latin American Literature and Arts, New York.

Lafuente, Pablo; ‘Graciela Sacco: Pablo Lafuente meets a politically charged artist intent on urban interference’ in Art Review, vol. LIII, London, March, pp. 56-57.

Harter, Samantha; ‘Hispanic Heritage events highlight Argentina’ in EastSider, Fort Lauderdale, 12 September.

2001
Camnitzer, Luis; ‘The 49th Venice Biennale: Prisoners of Time’ in Art Nexus, nº 42, Miami, November 2001-January 2002, pp. 53-54.

Castle, Ted; ‘Graciela Sacco at World House Gallery’ in Art in America, New York, February.

Laudanno, Claudia; ‘Graciela Sacco: Transposing the Borders’ in Art Nexus, nº 39, Miami, February-April, pp. 40-45.

Pini, Ivonne; Art Nexus, nº 39, February-April, p.7.

Weiss, Rachel; ‘Planet Buena vista: The Orbit of the 7th Havana Biennial’ in Art Nexus, núm. 39, Miami, February-April.

Gainza, María; ‘Graciela Sacco at Diana Lowenstein Fine Arts’ in ARTnews, New York, March.

Nieves, Marysol; ‘Gallery Notes’ in Recent Acquisitions, cat. exh., Bronx, The Bronx Museum of the Arts, from 12 April to 9 September.

Koh, Germaine; ‘Review: Havana Biennial’ in Frieze, issue 58, London, April, pp. 106-107.

Laudanno, Claudia; ‘La problemática de la mirada en la obra de Graciela Sacco’ in Rosario/12, Rosario, 8 May, p. 6.

‘Graciela Sacco. Entre nosotros (Bienal de Venecia 2001)’ in Rosario/12, Rosario, 8 May.

Vetrocq, Marcia E.; ‘Venice Biennale Goes Public’ in Art in America, New York, May, p. 41.

Tucker, Anne; ‘Interview with Graciela Sacco’ in www.netropolitan.org/venice/argenvid.html, 6 June.

Garzonio, Melisa; ‘L'Arte della Provocazione’ in Soprattutto, year 5, nº 23, Venice, from 8 to 14 June, p. 19.

Farina, Fernando; ‘La 49ª edición de la Bienal de Venecia se ofrece como una platea de la humanidad’ in La Capital, Rosario, 11 June.

‘Una rosarina entre lo mejor del mundo’ in La Capital, Rosario, 11 June, p. 19.

Time Out, vol. 2, nº 7, ‘Venezia: Biennale in Laguna’, Milan, June, p. 18.

Arestizábal, Irma; ‘Things are because we see them...’ in La Biennale de Venezia, 49 Esposizione d' Arte, Leandro Erlich / Graciela Sacco, cat. exh., Venice, Marsilio Editori, June.

Klein, Michael; ‘Graciela Sacco: Visions’ in La Biennale de Venezia, 49 Esposizione d' Arte, Leandro Erlich / Graciela Sacco, cat. exh., Venice, Marsilio Editori, June.

K-Code; ‘K Galleries, Biennale de Venezia’, Milán, June-July.

La Capital; ‘Las ciudades como libros de piedra’, Rosario, 6 July, p. 32.

‘Graciela Sacco desplegó miles de ojos en la Bienal de Venecia’, Rosario, 6 July, p. 34.

Groothuis, Marjan; ‘Who is watching who’ in Buenos Aires Herald, Buenos Aires, 22 July.

Laudanno, Claudia; ‘Con solo mirarte desde las paredes’ in Rosario/12, Rosario, 22 July, p. 9.

‘La platea de la humanidad’ in Rosario/12, Rosario, 22 July, p.9.

Sredni de Birbragher, Celia; ‘Interview: Michael Klein, Curator, Microsoft Art Collection in Art Nexus, nº 41, Miami, August-October, pp. 44-49.

2000
Benítez Dueñas, Issa María; ‘ARCO 2000’ in Art Nexus, Miami, May-July, pp. 109-110.

Rexer, Lyle; ‘Bringing Argentina Out of the Shadows’ in The New York Times, New York, 9 July.

Silver, Joanne; ‘Exhibit offers a portrait of freedom’ in The Boston Herald, Boston, 15 September.

Temin, Christine; ‘Argentine sheds light on dark subjects’ in The Boston Herald, Boston, 4 October.

Lebenglik, Fabián; ‘Total Interferencia’ in Página/12, Buenos Aires, 12 October, pp. 12-13.

López Anaya, Jorge; ‘Sombras perturbadoras’ in La Nación, Buenos Aires, 10 December.

Giunta, Andrea; ‘Imágenes en turbulencia. Migraciones, cuerpos, memoria’ in Graciela Sacco, cat. exh., Rosario, Municipal Museum of Fine Arts J. B. Castagnino, winner of the Eleonora Traficante Award for the best essay of the year, granted by the Argentinian Association and the Argentinian Section of the International Art Critics Association (AACA/AICA).

1999
Kenny, Kay, Cover; ‘Graciela Sacco at World House Gallery’ in New York, January-February.
Nahas, Dominique; ‘Graciela Sacco's 'A Place in the Sun' at World House Gallery’ in D'Art International, vol. 2, nº 1, winter.

Escallón, Ana María; ‘Art of the Americas’ in Mastering the Millennium, cat. exh., Washington, Art Museum of the Americas-OAS.

1998
Kenny, Kay; ‘Graciela Sacco, A place in the sun, World House Gallery’ in Fotophile, New York, August, p. 7.

1997
Baekgaard, Bjarne; ‘En mundfuld kropskunst’ in Aarhus Stiftstidende, Aarhus, 23 August.

‘Al kunst er politisk’ in Aarhus Stiftstidende, Aarhus, 30 August, pp. 16-17.

Aarhus Stiftstidende; ‘Anrabende kunst’, Aarhus, 31 August.

1996
Arestizábal, Irma; ‘Let the image remain’ in Graciela Sacco, cat. exh., 23th Sao Pablo International Art Biennial, San Pablo, San Pablo Biennial Foundation.

Giunta, Andrea; ‘Urban Imageries’ in Graciela Sacco, cat. exh., 23th International Art Biennial of Sao Pablo, Sao Pablo, Biennial of Sao Pablo’s Foundation.

Diario de Noticias; ‘Graciela Sacco mostrará novo rumo da arte Argentina na Bienal’, San Pablo, 17 May.

De Moraes, Angélica; ‘Graciela Sacco mostrar novo rumo da arte Argentina na Bienal’ in Gazeta de Alagoas, San Pablo, 26 May.

Komatsu, Alberto; ‘A arte da Argentina nas ruas’ in Gazeta Mercantil, San Pablo, 10 November.

Giunta, Andrea; ‘Territorios del cuerpo-Las heliografías de Graciela Sacco’ in Mora Revista del Area de la Mujer, nº 2, Buenos Aires, Faculty of Philosophy and Letters, UBA.

1994
Giunta, Andrea; ‘Graciela Sacco: Intervenciones del cuerpo/impresiones…’ in Escrituras Solares. La heliografía en el campo artístico, Rosario, Author’s Edition.

Selection of Public Collections

Bronx Museum of the Arts, New York, U.S.

Museum of Art, Fort Lauderdale, U.S.

Museum of Fine Arts, Houston, U.S.

University Gallery, University of Delaware, Newark, U.S.

The Microsoft Art Collection, Microsoft Corporation, Redmond, Washington, U.S.

The Progressive Corporation, Mayfield Village, Ohio, U.S.

Museum of Contemporary Art of Bahía Blanca, Argentina.

Buenos Aires Museum of Modern Art, Argentina.

Castagnino+macro Museum, Rosario, Argentina.

Municipal Museum of Argentinian Art Eduardo Sívori, Buenos Aires, Argentina.

El Círculo’s Collection Association, Rosario, Argentina.

Jorge y Marion Helft Collection, Buenos Aires, Argentina.

Banco Patricios Foundation, Buenos Aires, Argentina.

Mario Pantaleo Foundation, Buenos Aires, Argentina.

Capitolio Policultural, Porto Alegre, Brazil.

Essex University, Colchester, England.

Awards and scholarships

2003
Artist of the Year Award, granted by the Argentinian Association of Art Critics.

2002
Konex to Merit, Konex Foundation, Buenos Aires, Argentina.

Arlequín’s Award for Young Generation, National Museum of Fine Arts, Buenos Aires, Argentina.

2001
Artist of the Year Award, granted by the Argentinian Association of Art Critics, Buenos Aires, Argentina.

1993
Grant for artistic creation, Antorchas Foundation, Buenos Aires, Argentina.

Scholarship for artistic creation, National Arts Fund, Buenos Aires, Argentina.

Scholarship for artistic creation, Cultural Under-secretary of Santa Fe, Argentina.

1989
Scholarship granted by CONICET to do research on Los no-objetualismos en la Argentina 1970-1990, granted by UNESCO.